‘The Wolf and the Fox,’ 1733, Jean-Baptiste Oudry (French, 1686-1755); Black ink and gray wash heightened with white opaque watercolor on blue paper; frame design in black ink, gray wash and blue ...
If you ever wondered why blueprints were blue and not black or red or white or brown or any other color than blue, well, it’s not because architects really like the color but because the technique in ...
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