New York Classical Review

Pianist Mamora displays his strength, story-telling gifts in Carnegie recital

For an encore, Mamora returned to Liszt, whose two monumental works were the pillars of the recital. He played “Italie” from ...
New York Classical Review

Kaljuste, Estonians mark Arvo Pärt at 90 with a luminous choral tribute

But that is where to hear his music this fall in New York City, where his 90th birthday (September 11) is being celebrated in a series of concerts at Carnegie Hall. Friday night, that brought the ...
New York Classical Review

Morley, Brownlee spark the fireworks in Met’s “La fille” as Graham anchors the evening

The Laurent Pelly production of Donizetti’s La fille du regiment returned to the Metropolitan Opera Friday night with two ...
New York Classical Review

Israel Philharmonic’s opening concert hits its stride with Zukerman

Lahav Shani conducted the Israel Philharmonic Orchestra Wednesday night at Carnegie Hall. Photo: Stephanie Berger This week’s ...
New York Classical Review

A discerning program and superb singing highlight Musica Sacra concert

There have been many stylistic periods in classical music history, but across one thousand-plus years there have been only ...
New York Classical Review

The Orchestra Now recalls forgotten composers from a turbulent era

The Orchestra Now, conducted by Zachary Schwartzman with tenor Ryan Michki, will perform music by Richard Strauss, Vaughan ...
New York Classical Review

The Sebastians celebrate the spooky season with a walk on Baroque’s dark side

Lucy Fitz Gibbon performed cantatas by Handel and Montéclair with The Sebastians Saturday night at Brick Presbyterian Church. Photo: Grace Copeland There were no jack-o-lanterns or skeletons adorning ...
New York Classical Review

Tesori’s “Grounded” scores a dark triumph in Met season opener

Emily D’Angelo stars as Jess in Jeanine Tesori’s Grounded at the Metropolitan Opera. Photo: Ken Howard / Met Opera “If Odysseus came home every day,” sings fighter pilot Jess to her husband in Jeanine ...
New York Classical Review

Mäkelä, Orchestre de Paris conjure a spectacular “Firebird,” visceral “Rite”

A hundred and eleven years ago, a ballet audience in Paris experienced “the shock of the new” as never before, when the primitive rhythms and dissonances of Igor Stravinsky’s The Rite of Spring ...
New York Classical Review

“Dead Man Walking” powerfully opens Met season, video excess apart

Joyce DiDonato and Ryan McKinny in Jake Heggie’s Dead Man Walking at the Metropolitan Opera. Photo: Karen Almond/Met Opera It was a long trek, but Dead Man Walking finally made it the last mile to the ...
New York Classical Review

Met’s “Kavalier & Clay” mixes stunning production with largely lightweight music

Andrzej Filończyk (left) and Myles Mykkanen in Mason Bates’ The Amazing Adventures of Kavalier & Clay at the Metropolitan Opera. Photo: Evan Zimmerman / Met Opera The best works of art, in any medium, ...
New York Classical Review

In Met debut Blanchard’s “Champion” proves lightweight in its class

Eric Owens and Ryan Speedo Green in Terence Blanchard’s Champion at the Metropolitan Opera. Photo: Ken Howard / Met Opera The production had a lot going for it: the good will (and expanded audience ...